A new recording has been made of Blues For Lester. David Arivett created a recording that sounds like violin, woodwind quintet, and rhythm section. It can be heard on the Blues For Lester page. David went all out in making this recording of my score!
George Spicka finished transcribing my hand-written score for New Tango No. 1 into Sibelius. This piece is for jazz soloist, 5 wind instruments, and rhythm section. Flexible instrumentation is used to enable the music to be played by many configurations of instruments. The New Tango No. 1 page on my website has a link to the ensemble score. Bands that are interested in playing this piece can write to me from the Contact page.
A new recording has been made of Sleepy Creek Samba. David Arivett created a recording that sounds like violin, woodwind quintet, and rhythm section. It can be heard on the Sleepy Creek Samba page.
George Spicka finished transcribing my hand-written score for Baltimore Rowhouse into Sibelius. This piece is for jazz soloist, 5 wind instruments, and rhythm section. Flexible instrumentation is used to enable the music to be played by many configurations of instruments. The Baltimore Rowhouse page on my website has a link to the ensemble score. Bands that are interested in playing this piece can write to me from the Contact page.
A new recording has been made of Appalachian Awakening. David Arivett created a recording that sounds like violin, woodwind quintet, and rhythm section. The recording and new video can be heard on the Appalachian Awakening page.
James Barr, a guitarist friend in Asheville, NC, made a new recording of my tune Sunset On The Chesapeake. Many thanks Jim! It can be heard on the Sunset On The Chesapeake page.
George Spicka finished transcribing my hand-written score for Appalachian Awakening into Sibelius. This piece is for violin soloist, 5 wind instruments, and rhythm section. Flexible instrumentation is used to enable the music to be played by many configurations of instruments. The Appalachian Awakening page on my website has a link to the ensemble score. Bands that are interested in playing this piece can write to me from the Contact page.
A new recording has been made of Salt Marsh Rag. David Arivett created a recording that sounds like a woodwind quintet and jazz rhythm section. It can be heard on the Salt Marsh Rag at CSIC page. I am impressed with David's work on this project.
My hand-written score for Blues for Lester has been put into Sibelius. Thanks to George Spicka (composer friend in the Baltimore Jazz Alliance) for his help. This piece is for jazz soloist, 5 wind instruments, and rhythm section. Flexible instrumentation is used to enable the music to be played by many configurations of instruments. The Blues for Lester page on my website has a link to the ensemble score. Bands that are interested in playing this piece can write to me from the Contact page.
Thanks to assistance from George Spicka (composer friend in the Baltimore Jazz Alliance), my hand-written score for Sleepy Creek Samba has been put into Sibelius software. This piece is for jazz soloist, 5 wind instruments, and rhythm section. Flexible instrumentation is used to enable the music to be played by many configurations of instruments. The Sleepy Creek Samba page on my website has a link to the ensemble score. Bands that are interested in playing this piece can write to me from the Contact page. Over time, more of my hand-written scores will be converted to Sibelius.
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AuthorRoger Aldridge, jazz composer in Olney, Maryland. Categories
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